Our Take: Four Letter Words that Matter

When we talk about four-letter words, we are usually talking about profanity. Eliminating four-letter words from your vocabulary is often a New Year’s resolution or even a suggestion by others.
 
Of course, not all four-letter words are bad. No one is campaigning to ban “jazz,” “wine” or “food.” There is an argument to be made for getting rid of “golf” and “beer,“ but that would be a minority view at best. So, what is the most powerful and compelling four-letter word?
 
I can hear the thousands of our readers saying, in unison, the word “love.” No doubt that love is important. As the songs tell us, it will “set you free,” “keep us together” and “make the world go around.” I have been fortunate to have been in love and be loved, so I know how powerful, comforting and exciting that can be, but, recently, I have come to realize that there is another four-letter word that may be more important than love.

As I wrote earlier, with two more cruise programs to present at sea, it was difficult to fully explore my feelings about the loss of my good friend, Ken Peplowski. Though I have not fully embraced what happened that afternoon (Monday, February 2), I do know that Ken lost his battle against cancer and many of the ramifications of being very sick. Coupled with battling the Pandemic, Ken’s struggles to be healthy, active and relevant were overwhelming.

Ken was a member of our planning team for The Jazz Cruise. Even when he was the most ill, Ken worked for the cruise in terms of programming, talent selection and show creation. Just as the identity of an executioner is hidden for fear of retribution, Ken’s role as a decider of who performed on The Jazz Cruise was a secret. Not all his opinions were followed blindly, but, when the call was close, Ken’s view weighed heavily. 

Often those discussions led to more personal matters. For the most part, Ken was his own agent and manager, so securing gigs and creating opportunities for his career was “on him.” I never knew the extent of success he was having in doing so, as his illness impacted his opportunities, both in reality and in perception. Some folks were reluctant to hire Ken, not knowing if he would be able to perform on the required date.
 
For the most part, Ken was optimistic about his future, but every so often, he would open up about how hard it was for him to find work, especially work that he loved. Particularly difficult was seeing others being offered what used to be his gigs. I would imagine that phenomenon to be a theme among older musicians, but, in Ken’s case, the issue was exacerbated by his illness.
 
Having just jotted down the sentence above, I need to remind myself that Ken was not that old! His illness found him in his early 60s, an age where most are still active, particularly musicians. If there were ever a profession where growing older gracefully could be achieved, music would be at or near the top of the list. One of Ken’s best friends was Houston Person who is still performing at 90, as are Benny Goldson, Kenny Barron and Ron Carter. The Heath brothers performed in their nineties as did Jimmy Cobb and others.
 
In some respects, Ken’s concerns about his being able to continue to work was more serious than it seemed. If active, he would have a lot of years to fill and support. Those who know Ken know that being on the bandstand is what gave him life, sustained him and lifted his spirits. So, when we heard that he had failed to show up for a show on The Jazz Cruise with Shelly Berg on that fateful afternoon, many anticipated the worst.
 
I will not delve into or speculate about Ken’s personal life. I know that his two children live in Sweden and he would visit them as often as he could. And, of course, there was Corker, his beloved dog who provided Ken with years of love and affection.
 
On the ship Ken shared with us that his cancer was in remission, that he was eating better and feeling better. He also spoke of how arduous the recent years had been for him. He could still quip with the best of them, however, his ability to joke about himself was not as keen as it once was. Not quite a Pagliacci, but you could see a tear on his face when he was clowning.
 
I do not know the precise cause of his death, nor does it matter at this point. In my mind, his burdens, illnesses and problems triggered something in his body that resulted in his death. He had fought a great fight, but, at this point, he could not answer the bell for the next round.
 
For those who remember how I started this piece, I am about to return to my original premise, that being what is the most important and significant four-letter word. I concur with those who believe that “love” is important. Without “love,” one lives a lonely and cold life.

But, without “hope,” there is no life at all. Crimes are committed by people with no hope. Wars are fought by people with no hope. Consequences are meaningless if you have no hope. No matter how bad things are, if you can see light at the end of the tunnel, you can muster the energy and resolve to turn things around. If you can summon the strength to reach what you believe to be the “other side,” then you have hope and that hope will propel you, at least until hope becomes only a glimmer.

Ken was loved. We all loved him. I believe that the struggle to survive became overwhelming and his mind reacted accordingly. His reservoir of hope was empty and he could not find any way to refill what was once there.

When the idea of maintaining hope is mentioned, two sports references come to mind, Dan Jansen and Jim Valvano. Despite his great non-Olympic success, Dan Jansen had never won an Olympic medal after having competed in seven Olympic races over a ten-year period. Twice, not only did he fail to win, but he failed to even finish, having fallen on the ice. His last chance saw him nearly fall again, only to rally, surpass the World Record and win a Gold Medal.
 
NC State basketball coach Jim Valvano, who led his team to the National Championship over a heavily favored Houston team, famously fought cancer for several years. Near the end of his life, at the 1993 ESPYs, Valvano told the world, to face adversity with strength. His motto, “Don’t Give Up. Don’t Ever Give Up” became the rallying cry for a generation of cancer victims and survivors.
 
To me, jazz, even at its most melancholy, dark and sad iterations, is a symbol of hope. As we sit, listen and try to anticipate the next note, we are hoping that the sound will inspire us, move us forward, and enlighten us. Nothing is perfect and we are often disappointed, but our hope continues.
 
Maintaining and nurturing hope may be the essential step to being happy, engaged and meaningful. Embracing music, in my mind, is a great way to do so. Never stop listening. Never stop finding new tunes to hear or songs to sing.

With music to inspire you and lift you up, you will never stop looking for something good. You will be inspired to summon your ability to survive and achieve. Most importantly, you will never give up hope. Think of all the inspirational songs that have led us to achieve and have hope.

As corny as this may seem, hearing our National Anthem at the ceremonies of each Gold Medal winner at the recent Winter Olympics was inspirational. We sing our alma mater and our favorite team’s fight song. Every couple has a song they call their own. These are not songs of love. These are songs of hope. Hope for strength, resolve, kinship and the goal of a better day ahead.

Yes, love is wonderful, but love is often outside our grasp, outside our control. It requires two people being on the same page at the same time. “Hope” comes solely from within you. Only you can surrender your hope for the future.

Next time you sense a dip in your reservoir of hope, turn on your music, look in the mirror and summon the courage to move on.

By Michael Lazaroff, Executive Director of The Jazz Cruise, The Smooth Jazz Cruise, Chris Botti at Sea, Journey of Jazz, David Foster: The Hitman Cruise and Top Shelf Country Cruise. Feel free to express your views or pose questions to him at michael@scecruises.com.


The Jazz Cruise Lands at Birdland

Well, not exactly. But, for the month of March, our friends at Birdland Jazz Club in NYC are presenting several of our favorite artists from The Jazz Cruise.

John Pizzarelli and his trio perform there March 3-7, followed by the Anat Cohen Quartet (March 10-14), Kurt Elling & the Future of Jazz Orchestra (March 18-21) and Emmet Cohen’s Celebration of the Miles and Trane Centennial (March 24-28). Tell Gianni, who hosts Birdland at Sea in the Cosmopolitan Dining Room every night of The Jazz Cruise, that we sent you his way.


Signature Cruise Experiences Upcoming Programs

Sailing in the Next 12 Months

Botti at Sea III (’26)

9.18.26 – 9.25.26
Chris Botti hosts a West Coast Cruise with Amazing Talent and Fabulous Excursions & Events

Botti at Sea III (’26) is in Open Booking. Anyone may select any available stateroom and complete a reservation. 

The lineup has been set for a few months. Joining Chris Botti will be Elvis Costello, Boz Scaggs, Melody Gardot, Peabo Bryson, Regina Belle, Emmet Cohen, Veronica Swift, Candy Dulfer, John Splithoff, Morgan James, Benny Benack III, Kandace Springs, Harold Lopez-Nussa Trio ft. Gregoire Maret and more. The cruise will sail from Los Angeles to Vancouver, with calls in San Francisco and Victoria. 

Last week, with Chris Botti participating, Signature Cruise Experiences held a livestream for both booked guests and those interested in sailing. Members of our team detailed the events, shows and special excursions that this cruise offers in a 60+ minute video presentation which you can see below.

Botti at Sea III incorporates two experiences. First, is another edition of our famous cruise programs with nightly special shows, hours of additional music and intimate and insightful opportunities to learn more about our performers.

The second aspect of the programs is a robust offering of excursions and events when we dock in San Francisco (overnight) and in Victoria, BC (full day). You can visit wineries in Napa or Sonoma, tour Napa Valley on the Napa Valley Wine Train, dine at the finest restaurants, see special shows at SFJazz, and more. Each of these events are curated, produced and presented by us.

To learn more about the cruise and the amazing excursions, check out the Botti Cruise Livestream Video on-demand on our website and on YouTube.


The Smooth Jazz Cruise

  ’26.3 (9.11.26 – 9.18.26)
  ’27.1 (1.31.27 – 2.7.27)
  ’27.2 (2.7.27 – 2.14.27)

3 Sailings of “The Greatest Party at Sea”
THE SMOOTH JAZZ CRUISE SIGNATURE CRUISE EXPERIENCES

Known as “The Greatest Party at Sea,” The Smooth Jazz Cruise has sailed over 30 times since 2004. Year after year, there is a waitlist for staterooms and the cruises hit Fully Reserved earlier and earlier.

The Smooth Jazz Cruise ’26.3 is fully reserved. Guests wishing to sail on the cruise should Join the Wait List now.  Any cancellations by current guests will be filled by the Wait List.

The Smooth Jazz Cruise ‘27.1 and ‘27.2 are both in Open Booking. ’27.1 is more than 80% reserved and ’27.2 is more than 90% reserved. Please note that the itineraries for both sailings have been updated.
 

The Smooth Jazz Cruise ’27.1
Tampa – Cozumel – Grand Cayman – Tampa

The Smooth Jazz Cruise ’27.2
Tampa – Grand Cayman – Ocho Rios – Tampa


David Foster: The Hitman Cruise ’27

1.12.27 – 1.17.27

Stay Tuned for Lineup and Details

David Foster: The Hitman Cruise ’26 (Foster ’26) was a runaway hit program. From the first note to the last song, the brilliance of David Foster was evident in every show and event.  As you recall, David wanted to learn more about how the cruise programs unfold before he casted the lineup for David Foster: The Hitman Cruise Encore Sailing ’27.

That time is right around the corner. Once the lineup is announced, guests on Foster ’26 will be invited to finalize rebooking of their staterooms after which those with Pre-Sail Reservations will be eligible to select a stateroom and complete a reservation. There is still time to complete a Pre-Sail Reservation (no deposit or obligation required). Just click below. 


The Jazz Cruise ’27

1.17.27 – 1.24.27

Still the Greatest Jazz Festival at Sea

The Jazz Cruise is the first program that Signature Cruise Experiences ever produced. Since its first sailing in 2001, The Jazz Cruise has been the world leader in presenting “straight ahead” jazz at sea. 
 
Rebooking for The Jazz Cruise ’26 Guests is complete. Guests with Pre-Sail Reservations are selecting staterooms and completing reservations now. Open Booking, when anyone may reserve any available stateroom, begins today, February 24, 2026.

The Jazz Cruise reaches Fully Reserved every year and staterooms for The Jazz Cruise ’27 are being reserved faster and sooner than ever.


Journey of Jazz ’27

1.24.27 – 1.31.27

Now in Open Booking

Journey of Jazz ’27 will be an amazing cruise program featuring hosts Marcus Miller and Gregory Porter, a full lineup of great musicians and vocalists and a special two days in New Orleans which features Wynton Marsalis and a group of his hand-picked musicians.

In its second season, Journey of Jazz proudly combines the very best music with opportunities to live the jazz life and learn more about the history of jazz. As an example, Journey of Jazz ’27 will present Ledisi as a main show performer on the ship. In keeping with the theme of the cruise, Ledisi will perform her universally beloved Tribute to Dinah (Washington) program.

Details for the overnight stay in New Orleans are nearly complete. There will be special jazz shows in the city, dining at iconic New Orleans restaurants (Brennan’s, Commander’s Palace, Arnaud’s and more), tours of the city on land and by ship and much more. Each event in New Orleans will be curated, produced and presented by Signature Cruise Experiences.

Journey of Jazz ’27 is in Open Booking. You may select and reserve any available stateroom at this time. This may be the jazz experience of the year.


Botti at Sea ’27

10.6.27 – 10.13.27

Chris Botti Takes His Cruise from Boston to Quebec

A Canadian itinerary in the Fall is one of the most popular cruise itineraries in the industry. Fall colors, beautiful scenery, hands on adventures in famous ports-of-call. If nothing else was taking place on the ship, a cruise with these features would be in high demand. So, when Chris Botti decided to take his amazing cruise program from Boston to Quebec City, with a full complement of the entertainers and performers that you have grown to love and expect, not only was he gilding the lily, but he was creating one of the top music cruise experiences ever offered.

Stay tuned for more programming and reservation procedure details. As is always the case on a Signature Cruise Experiences program, guests on Botti at Sea III (’26) (’26 Guests) will be able to rebook their current staterooms and those who are not ’26 Guests will be eligible to submit a Pre-Sail Reservation which will establish their stateroom selection priority after the ’26 Guests complete their rebooking procedure.
 
Look for most of this to happen around 8.15.26!