Earlier this week, we highlighted the soon-to-be beginning of Jazz Appreciation Month. Well, we are still not there, but we are getting very close! That JAM starts each year on April Fool’s Day is curious at best, disappointing at worst. If there was ever any music genre that we would not joke about or play tricks on, it would be jazz! Perhaps the only fools are those who are not fans! That is a bit harsh and I apologize, but if we cannot crow about our music during JAM, then we are not doing this right!
So, what type of jazz fan are you? In golf you are judged by your handicap. Tennis has numerical rankings. Other sports have beginners, novices, intermediates, advanced, etc. Let’s see if we can derive a system to measure the degree and type of jazz fan each of us are. It will not be easy nor will it be determinative, but, with any luck, it will be fun and thought provoking.
Level 1: “I Think I Know What Jazz Is”
Once people know what I do for a living, most will say (politely) “I like jazz, too.” Three ways to respond here. Smile and move on. Ask them to name their favorite jazz musicians (usually the best way to learn about the jazz tastes of someone who is, in fact, listening to jazz). Or, if you are in a diabolical mindset and wish to “out” an impostor, ask them “what type of jazz do your prefer?” If the response is on point, then you should feel badly about judging them. If not on point, then you have found a Level 1 Jazz Fan – someone who believes they know what jazz is, but simply cannot articulate it.
Level 2: “Fake It ‘Til You Make It”
Level 2 folks know a few names and may have seen a show or two. They know that being a “jazz” person is cool and will elevate their status in your eyes. It is entirely up to you as to how to handle this person. The most benevolent approach is to let them bask in the glory of making you think that they know jazz. Whether you take that approach or circle in for the kill is largely dependent upon your sense of whether the person is harmless or not. In defining “harm,” the test is whether the person is perpetrating their limited knowledge upon others, particularly those who are genuinely trying to learn.
I would argue that, in those cases, you have a duty to burst their bubble. It is hard enough to encourage folks to learn more about jazz without someone feeding them the wrong information. The unsuspecting fan may pass that wrong information on and could become embarrassed by someone who is more knowledgeable. This would likely thwart our hopeful pupil from trying to learn more.
I am reminded of the guest who grilled Freddy Cole on his latest recordings, claiming to know each of his sidemen. At one point, he asked Freddy “do you come from a musical family?” No recovery from that one.
Level 3: “I Know What I Like”
These are my favorite fans. They know what they like to hear and could care less about who wrote the song, who arranged the song and who the sidemen are on the recording. There is an authenticity and genuineness in someone who likes what they like and does not need to justify or explain it away. Hopefully, at some point, their curiosity will blossom and they will delve into the “who,” “when” and “what” of a tune. Or not!
Level 4: “Of Course I Know That One”
This fan is tricky. Not only do they love the music, but they know a lot about it. Only they do not know everything about it and are unwilling to admit that. It will take a moment to identify one of those as they will be on subject most of the time. Their fatal flaw is not that they do not know everything, it is their refusal to be okay with that. I’ve never understood why someone would fear having others know that they do not know a particular song, singer, instrumentalist, composer or arranger. Unless you selected “JAZZ” as a topic on Jeopardy!, the penalty for being wrong is minimal at best.
Level 5: “I Love Jazz. Tell Me More”
This level is sublime. You know you love the music. You know a lot about the music. Enough to be able to realize the context of the song, to identify the instruments, if not the musicians themselves, and to know that you can “feel” what is happening. If you are at a live set, you are watching the interaction of the musicians. If you are listening to a recording of the music, you are imagining what that interaction must be like.
You are at peace with yourself, your surroundings and your purpose in listening. As the nuances of the music are unveiled to you, you ask yourself if you have heard other renditions of this song, who performed on those recordings and whether you like the new version or the older version. Your mind wanders, relaxes and settles in to enjoy the music. Your thoughts are simplified. You love Jazz. You want more.
Even if I never reach Level 5, the Holy Grail of Jazz, I am having a great time trying!
By Michael Lazaroff, Executive Director of The Jazz Cruise, The Smooth Jazz Cruise, Chris Botti at Sea, Christian McBride’s World at Sea, Journey of Jazz, Homecoming: The Cruise and Top Shelf Country Cruise. Feel free to express your views or pose questions to him at michael@scecruises.com.
Hot Offers: Journey of Jazz ’25
Regardless of your Jazz Fan Level, Journey of Jazz ’25 fits your jazz acumen. In many respects, the cruise is a 7-day tutorial on the life of jazz. Marcus Miller will reprise his History of Jazz, only this time doing so in 100, not 60 minutes. Each performer has been selected to reflect one or more aspects of what makes jazz so special.
And, the West Coast itinerary, while not customarily associated with the history of the music, is certainly in line with the music’s lifestyle. Excursions to Sonoma and Napa, shows at SFJAZZ, culinary opportunities in San Francisco. No other music would be as perfect for those settings than jazz.
Journey of Jazz ’25 sails in about 6 months and fewer than 100 staterooms remain available. While staterooms with balconies (Concierge Class/AquaClass and Veranda) remain available, the largest inventory are Ocean View and Inside Staterooms.
You can reserve an Inside Stateroom on the cruise for under $2,000/person and there are special prices for Ocean View staterooms. Reservations may be completed online or by calling the office and are based upon double occupancy, available for new reservations only and non-commissionable. Further, this discount may not be combined with any other offer (Promo Code: JOURNEY).
Berks Jazz Fest Wine Reception with Mindi Abair
Join Mindi Abair and her husband, wine producer Eric Guerra, for a special VIP Wine Tasting Reception at Berks Jazz Fest immediately prior to the David Sanborn Tribute Concert. During the reception, you will enjoy a meet-and-greet with Eric Marienthal, Marcus Miller, and other concert performers.
The reception will be held on Friday, April 11 at 4PM in the banquet area of the Scottish Rite Cathedral. Tickets are $55 and all proceeds benefit the David Sanborn Memorial Fund at St. Jude Children’s Research Hospital. Click below to reserve your spot today.
John Splithoff’s Far From Here
Singer-songwriter John Splithoff, a regular performer on Botti at Sea, has just released Far From Here, a new album that reflects upon his move from New York to Los Angeles. “City Days” which features Chris Botti on trumpet, pays homage to his relationship with New York City at the various stages of his life. Tracks like “Glacier” symbolize relationships growing apart against the backdrop of Montana’s natural beauty, while “Oh Betty” tells a nostalgic story about the Buick Century he drove during his college days in Miami. “Same Page” recalls a transformative camping trip in Arizona that inspired his move west, and “Kyoto Snow” transports listeners to Japan, where he saw snowfall for the first time at a temple in Kyoto.
“A lot of these songs are associated with a time and place that hold a lot of meaning to me,” John explained. “I also noticed, within all that change, how my relationships ebbed and flowed—I felt closer to people I didn’t know as well, and I felt distant from people who I considered my best friends and family. So it’s been an eye-opening path.”
100th Episode of Jazz Cruises’ Conversations Podcast
John Pizzarelli with Catherine Russell
The Jazz Cruises Conversations podcast resumes for its sixth season with the 100th episode, which features a conversation from the recent sailing of The Jazz Cruise, between two of our longtime favorite performers – vocalist Catherine Russell and guitarist and vocalist John Pizzarelli, with Catherine taking on the interviewer role.
For the last few years, John and Catherine have been performing together in a project they call ‘Billie and Blue Eyes,’ spotlighting the music of Billie Holiday and Frank Sinatra. John talked about coming up in the jazz and music world and hanging (and playing) with legends like Benny Goodman, Les Paul, Joe Venuti, Zoot Sims, Slam Stewart, Clark Terry, George Shearing and, of course, his father Bucky. Plus, John shared some stories about working with pop icons James Taylor and Paul McCartney.
You can listen to this interview, as well as any of the 99 past episodes of Jazz Cruises Conversations on Spotify or iTunes or wherever you access your podcasts. Subscribe to the podcast so you don’t miss any of the upcoming episodes.
Stateroom Availability
Cruise Programs – 2025
| Journey of Jazz | Over 89% Reserved. Balcony Staterooms Available – Special Pricing for Ocean View and Inside Staterooms (Lowest Price Ever – Promo Code: JOURNEY) |
Cruise Programs – 2026
| Homecoming: The Cruise | Open Booking Now; For Special Prices on Staterooms, use Promo Code: HTC |
| Christian McBride’s World at Sea | Open Booking Now; For Special Prices for Ocean View and Inside Staterooms, use Promo Code: CMW |
| The Jazz Cruise ’26 | Open Booking Now |
| The Smooth Jazz Cruise ‘26.1 | 96% Reserved – Open Booking Now |
| The Smooth Jazz Cruise ‘26.2 | Fully Reserved |
| Top Shelf Country Cruise | Full Lineup and Itinerary Announced Monday Open Booking Now |
| The Smooth Jazz Cruise ‘26.3 | 76% Reserved – Open Booking Now |
| Botti at Sea ’26 | Open Booking Now |
Signature Cruise Experiences’ Programs
JOURNEY OF JAZZ ’25
Limited Time Promotional Pricing
Promotional pricing is available on Ocean View and Inside Staterooms for Journey of Jazz! Make your reservation today using promo code WEEKENDER for significant savings*! Exciting land-based concerts and excursions are also available! *Discount applies to new reservations only.
HOMECOMING: THE CRUISE ’26
Limited Time Promotional Pricing
Join us for a celebration of HBCUs and inspired by the tradition of the Divine Nine Challenge from recent sailings of The Smooth Jazz Cruise. Sailing January 15 – 20, 2026 (including MLK Day), this cruise will deliver Excellence, Education and Entertainment. For the best available prices on all Stateroom Categories, use promo code HTC during the booking process. Reserve Your Stateroom Today!
CHRISTIAN MCBRIDE’S WORLD AT SEA
Limited Time Promotional Pricing
9X GRAMMY® winner Christian McBride will host our newest Signature Jazz Cruises’ program, Christian McBride’s World at Sea! The cruise will feature legions of musicians who comprise the various ensembles that are the hallmarks of Christian’s music world AND first-class comedy talent. See the full lineup here! Open Booking has begun! Right now, special pricing is available for Ocean View and Inside Staterooms*. To save, use the promo code CMW during the reservation process. *Discount applies to new reservations only.
THE JAZZ CRUISE ’26
Open Booking Now Available
Hailed as “Jazz Heaven” by musicians and guests alike, The Jazz Cruise ’26 lineup will feature some of the most iconic musicians from the straight-ahead jazz genre. See the full lineup here. The Jazz Cruise ’26 is in Open Booking! Anyone may now reserve any available stateroom. This program always hits “fully reserved.” The only question is when!
THE SMOOTH JAZZ CRUISE ‘26.1 & 26.2
Open Booking Now Available
The Smooth Jazz Cruise ‘26.1 is in Open Booking (anyone may reserve any available stateroom) and staterooms are more than 95% reserved. The Smooth Jazz Cruise ‘26.2 is Fully Reserved, but you may join the Waitlist. Reserve your stateroom today!
THE TOP SHELF COUNTRY CRUISE
Final Lineup & Itinerary Now Available!
Our headliners are Keith Urban, Lee Brice, Scotty McCreery, Parmalee, LeAnn Rimes, Thelma & James and Kassi Ashton. As you can see, the lineup is Top Shelf country music star power.
When the talent is combined with the iHeartMedia Team of Bobby Bones, Amy Brown, Lunchbox, Eddie and Lorianne Crook & Charlie Chase, the ultra-luxurious Celebrity Reflection cruise ship and wonderful ports of call (Key West, Nassau and Bimini), Top Shelf Country Cruise earns its title as the First-Class Country Music Cruise. Reserve your stateroom today!
THE SMOOTH JAZZ CRUISE ‘26.3
Open Booking Now Available
For the first time in many years, The Smooth Jazz Cruise will sail on the West Coast, embarking in Vancouver, sailing to Victoria and San Francisco before disembarking in Los Angeles. Exciting land excursions will be available in the ports-of-call! The Smooth Jazz Cruise ‘26.3 is in Open Booking! Anyone may now reserve any available stateroom.
BOTTI AT SEA’26
Open Booking Now Available
We’re thrilled to be able to announce that Boz Scaggs, Elvis Costello and Melody Gardot will be onboard Botti at Sea ’26. Of course, Chris Botti will be there with his very talented band and, as always, we will fill the remaining performance slots with a variety of great music, comedy and more. Open Booking has begun. Reserve your stateroom today!
Send us Your Mug Shots
We know many readers of The Weekender like to peruse each edition over their morning coffee. And, if you’ve sailed with us, you likely have at least one (or perhaps many) Signature Cruise Experiences mugs just for that purpose. Over the years, The Weekender has featured several pictures of cruisers showing off their mugs, pictures we affectionately refer to as “Mug Shots.”
If you want to share your “Mug Shot” with the 100,000+ readers who receive The Weekender each Saturday, email a photo of yourself and your mug to mugshot@scecruises.com. Who knows? You may just see yourself in a future edition.
Mug Shot of the Week
Maryland
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